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supported by 9 fans who also own “TV Pow With Tyler Sassman 19950528 Tokyo Field Recording”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
supported by 8 fans who also own “TV Pow With Tyler Sassman 19950528 Tokyo Field Recording”
“What Is Music And What Should It Be” comprises two compositions, each lasting 45 minutes. Both are very dense, and – with the right sound system – could easily function as a sonic sculpture, a peculiar piece of sound-art, which – again, in the right acoustic conditions – could physically take over the given space, filling it with sound. Jakub Knera